Thursday, August 25, 2022

Top 10 Free Mastering Plugins — Sage Audio

Top 10 Free Mastering Plugins — Sage Audio

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- How to Master in Logic Pro X (Step by Step Guide)



  If you're looking for an incredibly fast and easy way to affect the timbre of your mix or master, check out the bittersweet plugin. 4. Overtone GEQ – Voxengo. This guide will serve as a primer to get you started mastering tracks in Logic Pro X. How to start and what to aim for. Step by step process to get started. 1. use a reference track. Pick a song that sounds like the type of music that you want to make. Put the track in your song and mute it. Every once in a while as.    

 

- How to Master Pop Music with Logic’s Stock Plugins — Sage Audio



   

The main topics Martin will cover in this Skillshare course are converting software instruments to audio; the simple arrangement; adding sounds; adding FX; mixdown; mastering the right way; and Logic Pro X quick start. He covers each of those topics in great detail in the 32 video lessons in this course. In total there are almost 7 hours of learning material which will help increase your knowledge of Logic Pro X exponentially. With this course, Martin wants to help you get in the habit of completing tracks, no matter how obscure the original idea is, and doing so both quickly and effectively!

The focus of this course is learning how to use the virtual instruments that come with the Logic Pro X software. However, you should already have a pretty good understanding of Logic Pro X in order to fully grasp the topics covered in this course. The focus of this course is to develop your own skills and knowledge of Logic Pro X. You will learn how to compose music, record, edit, mix, and master audio using Logic Pro X.

The course is suitable for absolute beginners, but some of the student reviews express that they had to go back and re-watch certain parts of the course in order to fully grasp the material. I'm extremely passionate about online education and what it can do for those to better their lives. I spend most of my time blogging, hiking, and drinking coffee.

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The Analyzer section in MultiMeter is a real time frequency analyzer, which shows you changes in frequency as they happen. There is no set goal for what this should look like across a mix; think about the different frequency settings on your car radio, iPod or in Spotify. For example in our mix, Hz is coming through really strong. We might use an EQ to cut a little in this area. Loudness is a contentious topic in mastering, as it has been the subject of abuse for many years now.

Remember how the human ear identifies louder sounds as subjectively better? Well, mastering engineers or more accurately the record labels that hired them learned how to use this to their advantage by using a limiter to make finished tracks louder and louder. This resulted in something called the Loudness War, which ended up sacrificing the beauty in music and its dynamic range in favour of overly compressed or squashed tracks that appeared louder.

Loudness is still an issue in contemporary music, though it has been stamped down by new limitations enforced by streaming and broadcast companies. All the way, seeking to retain the nuance and dynamic range that makes music music. Tricky, huh? We are going to do some more comparison to our reference tracks here; load the MultiMeter onto the Stereo Output, and listen to the loudest section of your reference tracks one by one.

Note down the value it will change over time so find an average value or note down a range e. Do this for all 3 reference tracks and compare the values, this will give you an indication as to how much squash or compression is acceptable for the genre you are working in, and what the loudness level of your master should look like.

For example, heavy rock tracks will typically feature a lot more compression and therefore be a lot louder , than say, a 20 minute free form jazz odyssey,. Phase shift is a natural by-product of EQ and is something you can get away with on individual tracks, but it can cause problems for the master. Not only does the Linear EQ look great in black, it has a higher resolution than the standard EQ, giving you the ability to make finer adjustments — important in mastering.

You should use the Linear EQ to make small adjustments based on your notes, but try not to boost or cut any more than 3dB. If you need to make more severe adjustments, you should consider going back to the mix.

This is especially the case when the frequency you want to tame is quite dynamic. For example, certain notes on a bass guitar might create unwanted boosts in the low end, but only when that note is played. If you are finding the mix has too much dynamic range, that is, certain sections are much louder or softer than others, you may wish to apply a little compression to the track.

Of course, let your ears be the judge here, but these are some pretty universal guidelines for using compression in mastering. Applying compression to the mix can help tighten up the dynamics of your track, allowing you to employ more limiting to bring up the loudness in your mix.

Multi band compressors are exactly what they sound like, compressors that operate in several bands, split across the frequency spectrum. Whilst traditional compressors apply compressors across the entire frequency range, multi band compressors allow you to isolate particular areas of the range that are particularly dynamic.

If you still decide to use it, just as with most things in mastering, keep it to a minimum. Load the Stereo Spread plugin and set your Lower Freq. Keep the Lower Int. Set the stage to 4 or 5. Finally, a limiter will catch the loudest transients in your song while increasing its loudness to standard levels. Limiting is somewhat similar to compressing, but in a much more aggressive way: these plugins will squash any sound that exceeds the threshold , enabling you to have more perceived loudness without clipping.

There are two plugins for this job inside Logic: the Limiter and the Adaptive. With the first one, you will have to dial the release by yourself, as opposed to with the latter, which will automatically adapt the value based on your audio signal.

Both can do a pretty good job but the Adaptive one will sound more natural on most applications so we recommend going with it. After you load the Limiter plugin into your project, insert the Loudness Meter afterward so you can see your audio volume in Lufs. Basically speaking, it is the kind of metering used by streaming services and audio platforms to standardize levels. What each platform does is automatically turn down the gain of any song that is louder than a certain value , so as to create a better experience for the listener.

This value will vary depending on the service. Spotify , for example, normalizes everything to Lufs. The first thing to do after you load the plugin is to set the Out Ceiling value to -1dB. This is a safety measure to ensure better playback of your song through different systems without clipping.

Now, put the Loudness Meter side-to-side with your Limiter window and adjust the Gain knob until your audio is at to Lufs. What dithering does is apply low-level noise to your sound, avoiding any data or quality loss. This is a tip that will also apply for mixing. Be sure to bounce different versions of your track and test how they sound across different listening systems.

For example headphones , earbuds , small speakers , and the car stereo. One of the major goals in mastering and mixing is to make sure your track sounds good across a wide variety of equipment and environments. Sure, it is impossible to achieve a perfect result, but if you feel like your master is not sounding as impactful in your car stereo as it is in the studio , take a moment to adjust your parameters until you find a common ground.

Even though Logic Pro will offer you a complete set of plugins , you can find some great additional free ones to aid you both in the production process and to take your masters to the next level.

Here is our selection:. Channel-strip plugin with built-in equalizer, compressor, tape saturation, and limiter sections. An all-in-one solution. A simple monitor speaker simulation tool. Great especially for those mastering with headphones.

Isol8 gives you a wide range of monitoring options. You can, for example, solo or mute a group of frequencies or see how your songs are sounding in mono. These were our tips on how to master in Logic Pro X.



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